- The Asylum Keeper and the Poet: Dan Francis
- Alphabet Art: Peter Daglish
- Spots Before Your Eyes: Lady Brute and Dr. Brute
- The Artist As a Fraud: Glenn Lewis
- I Am Here: Connie Kuhns
- Boomtown: The Photography of L.B. Foote
- Memory of Winter: Michel Huneault
- Instrumentation: Todd McLellan
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- Gallery Note
THE GEIST GALLERY

By Michal Kozlowski A rabble-rousing grownup colouring book, from Peter Daglish and the Western Front art experimenters of the 1970s.
By Michal Kozlowski
A rabble-rousing grownup colouring book, from Peter Daglish and the Western Front art experimenters of the 1970s.

By Michal Kozlowski Over-the-top leopard print—clothes, photos, saxophones, buildings—by Kate Craig and Eric Metcalfe, a.k.a. Lady Brute and Dr. Brute, Vancouver, c. 1972.
By Michal Kozlowski
Over-the-top leopard print—clothes, photos, saxophones, buildings—by Kate Craig and Eric Metcalfe, a.k.a. Lady Brute and Dr. Brute, Vancouver, c. 1972.

By David Wisdom and Stephen Osborne Flakey Rrose Hip, a.k.a. Glenn Lewis, is a performance artist whose media has included flour, sand, kim chi, Rice Krispies and shark fin swimming caps.
By David Wisdom and Stephen Osborne
Flakey Rrose Hip, a.k.a. Glenn Lewis, is a performance artist whose media has included flour, sand, kim chi, Rice Krispies and shark fin swimming caps.

By Connie Kuhns A writer/photographer's riff on the social media version of "Wish you were here."
By Connie Kuhns
A writer/photographer's riff on the social media version of "Wish you were here."

By Michal Kozlowski L.B. Foote's photographs of Winnipeg in the early 1900s deliver the combined energy of a burgeoning polyglot city and the Aboriginal struggle to retain land and rights.
By Michal Kozlowski
L.B. Foote's photographs of Winnipeg in the early 1900s deliver the combined energy of a burgeoning polyglot city and the Aboriginal struggle to retain land and rights.

by Michel Huneault A photographer captures the town of Venise-en-Québec underwater—then he returns to watch the town re-emerge.
by Michel Huneault
A photographer captures the town of Venise-en-Québec underwater—then he returns to watch the town re-emerge.

by Todd McLellan and Mandelbrot A fresh look at discarded technology, from a photographer who lays out the bits "almost like a family portrait," then drops them from the ceiling.
by Todd McLellan and Mandelbrot
A fresh look at discarded technology, from a photographer who lays out the bits "almost like a family portrait," then drops them from the ceiling.
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